starts with a chance meeting at a train station.

People carry memories in their suitcases. In a crash two characters switch up their luggage and begin morphing by the other's past.

Europe was devised together with the actors and cinematographer. A pre-study script was written, and promptly discarded at the start of filming.

The film was shot on Kodak 500T super 16.

is a film about soundmaking, the intimacy and physicality of foley-recording, and bodies.

Thematically it explores consensual non-consent within the audio-visual contract. In this film the sound dominates the image, and the image plays the textural, mood bearing role that is usually the task of sound.

Produced in "reverse", the film was created from a foley-recording practice. The soundmaker's hands exciting leather, rubber, chains and rope, these recordings were sculpted in surround which is the basis for the visuals.

Eryc Birch plays multiple characters in one surreal wet dream. Punishing and caressing himself through the memories of past hook-ups.

The senses charge one another and create a sexual push/pull between sound and image.

is a music video about love, loss, and danger.

The lyrics of this song belong to a much sweeter and saccharine love song. After that love soured up I wanted to reclaim these words and express my frustration, anger, and sadness surrounding this story.

Week By Week is an exploration of a non-linear creative process. The music and visuals iterated on each other over two shoots, edits, and recompositions. We finally arrived at this abstract and impressionistic video.

is the story of a wall remembering it's past life as a human - who predicted his future life as that wall

This is an experimental film exploring the aestethic of pirate bootleg (cam) recordings of films. To share un-released films camcorders would be snuck into the cinema and used to film the projection, trying to be capture the film steady and unobstructed, but inevitably failing.

The film was initally shot on HDV camcorders. Then projected on a wall, which in turn was filmed.

I wanted to challenge the imagination of the cinematographer. So I came up with an unfilmable premise, and wrote the script as an unbroken dialouge, with no other instruction or descriptions nor scene headings.